Free PDF , by Michael Gross
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, by Michael Gross
Free PDF , by Michael Gross
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Product details
File Size: 2445 KB
Print Length: 578 pages
Publisher: Broadway Books (April 25, 2009)
Publication Date: May 5, 2009
Sold by: Random House LLC
Language: English
ASIN: B001NLKYBA
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Amazon Best Sellers Rank:
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Like nearly everyone else, I found Rogue's Gallery fascinating to read. I am an inveterate Met goer, and have been for 50 years. The stories Gross tells are delicious. But I'm not clear on the author's real intentions. On the one hand, he criticizes the Met over and over again for being a private club. (As though anyone but the truly rich could found and maintain a world-class museum.) When the Met takes public money, he complains that the Met remains secretive. But when public money is withdrawn, he criticizes the Met for commercializing itself to raise money on its own. It isn't the fault of the Met that donors are selfish or willful; it's not the fault of the Met that the people who come to help it are rich and self-interested. Many of the people who have worked there have had difficult personal lives or have behaved badly. (But that would be true of every great institution in the world.) A startling number have actually died in service to the museum. But it seems no matter what, the Met administration is always shown in a bad light. And while the gossip is delicious, most of it isn't relevant to what we see in the museum. Some of it (like the story of Jane Englehard's birth and first marriage, which could be a book in itself)) seems to be there just because Gross had done the research and found a good story; it has no bearing on the Met at all. And while the book is very detailed, it is not always clear. As someone who is familiar with the Met's many changes, I would have appreciated a much clearer presentation of the Master Plan that has governed the Met's development for over 30 years. At the end, Gross confronts the chief problem the Met now faces: the truly rich are no longer much interested in the Met any more. And so Gross goes from demonizing the great donors of the past as difficult and selfish (and bad fathers!) to lamenting that they they have disappeared from the earth and will no longer endow the Met with their treasures.This book is deeply flawed, and the author is biased, but I recommend it to anyone who loves (or just visits) the Met.
First, Great Title!! This is an extraordinary account on the history of one of America's most important cultural treasures. Walking in the place and looking around gives no hint at the complex often dark backstory. The author says repeatedly that his efforts to get the historical material from the museum were rebuffed, so where did all this detail and dirt come from? The super-rich patrons named in the work certainly did not provide it, as most of them don't come off very favorably. Also the museum's collection has a checkered history of pillage, deceit and fraud that was carefully suppressed. The material is fascinating, although after a few chapters the book becomes a list of handouts from billionaires. Overall, I recommend it.
It is a while since I finished it. I found it historically interesting but also fairly depressing when one sees that the acquisition and maintenance of the country's greatest collection involves such horrifying amounts of ego, manipulation and downright dishonesty. The beauty that is art is often subjugated to the social and financial ambitions of some pretty unsavory characters. The answer, as always, is that money talks loudest in New York City and gives the power that often trumps connoisseurship. I thought often of Oscar Wilde's remark about people who knew the cost of everything and the value of nothing. But a very good read, and the museum is as indisputably full of treasure as it sometimes is of duplicity. A great house of culture even if I would NOT want to sit down to dinner with most of the major donors.
Rogue's Gallery was ok, but nothing more than ok, generally Michael Gross isn't a very good writer, but I had high hopes for this. It was very mediocre.
This is a fascinating glimpse into an amazing museum and into a life that most of us would have no chance to ever be a part of. What strikes me most is not the incredible amount of money and privilege but the owning of paintings that I know and have seen at The Met- the stories behind many of them having once been hung in someone's apartment. It's just hard to take in. The fact that someone needs generations of connections to be part of this world. The politicking makes politics look like nothing.The details and stories are so rich. I can't imagine how long it took to research this book. Having just finished reading it last night I am dying to take a trip to NYC now.Now, the Kindle version is very disappointing. There are countless typos and information left out. A painting sold for "%&@"... what does that mean?? How much did it sell for? Or someone is worth "si^*%^^" million dollars. Huh? Or a name will appear as characters I can't even find here on my keyboard. Or the new wing cost "-*^^" million dollars. It was incredibly frustrating.
The Metropolitan Museum of Art is one of my favorite places, so this book interested me from the moment I saw it in the bookstore. I purchased the Kindle edition and dug right in.There is a lot of information in this book. It was clearly well researched and carefully written. There were some formatting errors, but I have since received a new version from Amazon and it looks like those issues have been resolved.Granted, there are some moments in the book with a lot of facts and it can get dry. But overwhelmingly, I was fascinated. I found myself wondering how the museum would have been different if it hadn't been so staunchly resistant to "modern art". Walking through the museum, I see names that I've read about which brings trips to the museum to a whole new experience.Anyone that loves the art at the Met should definitely get this book to learn more about how the museum came into existence.
Which is exactly what I expected and wanted. I read at the same time as Artful Partners: The Artful Partners: Secret Association of Bernard Berenson and Joseph Duveen, which I liked a bit more as a read. But both were good and covered different ground.
Fascinating story about the inner workings of the Metropolitan Museum's esteemed B.O.D.
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