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Manifestoes of Surrealism (Ann Arbor Paperbacks)
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Review
“…as rich, lively, and stimulatingly sensitive a book as the truly catholic lover of the arts could desire.”– Publishers Weekly“A magnificent translation of Breton’s collected pronunciamientos, 1924-53.”– New Yorker
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Product details
Series: Ann Arbor Paperbacks
Paperback: 320 pages
Publisher: University of Michigan Press (1969)
Language: English
ISBN-10: 9780472061822
ISBN-13: 978-0472061822
ASIN: 0472061828
Product Dimensions:
5.4 x 0.8 x 8 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#407,908 in Books (See Top 100 in Books)
The book contains exactly what the title promises: Manifestoes of Surrealism and then some."Soluble Fish", for example. While the book's title leads you (me) to believe there are "only" Breton's various iterations of the manifesto, there are reactions and comments by Breton's contemporaries (Eluard, Dali, Max Ernst, Aragon). I am baffled by the decision to print the chapters in different fonts - yes, this emphasizes the fact that these pronouncement were made over a span of thirty-plus years BUT everything has been translated and is made to fit on a modern page. Overall, probably only something for a serious aficionado of Breton (there really are those somewhere) and all others are likely better served elsewhere.
I enjoyed the way it was easy to read and captured so many different opportunities to develop.
the book was fine but not what i wanted returning was easy
good read - informative
It is hard to exaggerate the importance and the relevance of this book and the greatness of it's author, Andre Breton. Although a flawed and decidedly ambivalent man, Breton was the first out and out surrealist worthy of the name, seeking the spirit of magic and 'immanent transcendence' of a sort in the marvelous, a sense of mysticism and wonder in no way supernatural or otherworldly. Breton exhorts us to break the sterile and suffocating chains of rationalism and logic, and to realize the relativity of perspectives and perceptions of reality, thereby freeing both our intellect and the supreme weapon of the human mind, the imagination. The surrealist lifestyle is nothing if not a furious attempt at total liberation, and Breton knows that this cannot be said often enough. The mad, the imaginative, the dreamy and the alienated are true 'surrealists' and unwittingly live this defiant philosophy of rebellion through their resolute refusal to conform to society's norms and to replace their own thoughts with those of the uninspired, the average, the ordinary. The literary and poetic precursors Breton cites are absolutely perfect and in accordance with the ideology he is formulating:anyone who has deeply felt the power of imaginative art has felt the spirit of surrealism, and Breton was possessed by it. He once screamed furiously, "I AM SURREALISM!"--and far from seeing it as arrogant or pompous, I think he was right.
"Manifestoes of Surrealism" is an extraordinary book that defines the timeless vitality of the Surrealist spirit. Speaking as a supreme oracle of Surrealist enlightenment, Breton gives us the keys to freedom from the limitations of reason, morality and aesthetic concerns. He instructs us on how to become a total Surrealist that no censorship or logic will ever stop. The texts in this volume take us into a realm where all taboos become taboo, where it is forbidden to forbid. Surrealism is defined not merely as a literary, artistic or philosophical movement, but as an explosion of the social order and a transformation of life itself. The opening section of the book is the original "Manifesto of Surrealism" from 1924. This text is the earliest formulation of the essence of the classical Surrealist spirit in its purest form. The next section, entitled "Soluble Fish," makes use of automatic writing and shows that the dream is the great vocabulary of Surrealism. The latter half of the book includes the "Second Manifesto of Surrealism" and a number of more politically oriented tracts which illustrate Breton's attempts to reconcile Surrealism with communism, an effort that ultimately proved to be untenable. What is exciting about this book is its revolutionary approach to life and its uncompromising nonconformist stance. It is a book ideally suited for the poet and the samurai, the lover and the disciple, the astronaut and the valkyrie. With these texts, Breton has tapped into the most impossible reaches of the mind and spirit, and his contribution must not be underestimated.
Basically, if you can get past the terse text you will find a very, very out-dated system of thought. Andre Breton may have been revolutionary then, but now it is just a re-hash of an old, dilapitated art school that has nothing more to say.
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